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Michal Mualem

Michal Mualem - Contemporary dance App e AppStage, Repertorio Sasha Waltz

Her training as an artist, dancer and teacher ranges from classical to contemporary, from choreographic composition, improvisation and contact to the Feldenkrais method. Until the age of 15 years, she practices artistic gymnastics at the national level.

From 1994 to 2001 she worked as a dancer in Israel in companies such as "Liat Dror and Nir Ben Gal Dance Company" and "Noa Dar Dance Group" as well as collaborating with choreographers like Inbal Pinto, Niv Sheinfeld and Anne Mary Porass. In this period she also presented her first work, "Brown Sugar", as a choreographer at the SuzanneDellal Center in Tel Aviv.

Since 2001 she has been a permanent member in Berlin with the company of Sasha Waltz, dancing in productions such as "Korper", "Nobody", "Insideout", "Impromptus", "Dido and Aeneas", "Dialoge 09" for the opening of the Neues Museum of Berlin and "Maxxi" for the inauguration of Museum of Modern Art in Rome.

In 2012 she was assistant to the Choreography for the resumption of the creation "Nobody" by Sasha Waltz at the Göteborg Ballet.
In 2013 she took part in the new creation of Sasha Waltz, "Sacre". In these years she collaborated with the choreographer Noa Dar in "Arnica" and with Roberto Zappalà for the solo "Instrumet 2", the body's pain. In 2014 dance again with Sasha Waltz in "Orfeo”.
In 2015 she continues her collaboration with Sasha Waltz in "Romeo and Juliette".

Since 2005 she has deepened her commitment to teaching contemporary dance in its various forms, combining and reworking them in a totally personal sense, including release technique, dance theater, contact and improvisation. She is a teaching in international centers such as Suzanne Dellal Center (Tel Aviv) and the Jerusalem Academy (Jerusalem), Scenario Pubblico (Catania) and IALS (Rome), SEAD (Salzburg), Burkley University (California), to name a few.

At the same time, she began her choreographic process, creating from 2005 to the present, many choreographies in independent projects, commissioned by professional academies such as Modems in Catania and SEAD in Salzburg, companies based on "Guests Choreographers" and not least, projects supported by festivals such as "Curtain Up "of Tel Aviv. Her works are represented in International Festivals such as Aerowaves, Tanec Praha, OperaEstate, Festival de la Citè and others.